Dreams have always been a popular
device in horror films but they were a particularly hot commodity in
the 80's. The most obvious example being Nightmare on Elm Street
(1984) and its ensuing sequels, however before Freddy Krueger became a
pop culture icon there were other genre films centered around the
concept of dreams. The homicidal urges of the main character in the
exceptionally bleak Italian backed Nightmare (1981) were set in
motion due to a reoccurring decapitation based dream and the same
year also saw the release of Stephen Sayadian and Francis Delia's
avant adult classic Nightdreams (1981), a film which certainty
crosses over into horror territory. The following year saw The Slayer
(1982), who's main surrealist artist character is haunted by dreams
of a murderous supernatural entity that soon become reality. Post-Elm
Street dream based horrors included the likes of Dreamaniac (1986)
and its offbeat mixture of heavy metal and succubi. One of the more
explicitly Elm Street inspired films, more specifically Nightmare on
Elm Street 3: Dream Warriors (1987), would be Bad Dreams (1988) which
even features Jennifer Rubin of Elm Street 3 in the lead. Standing
out in the crowd of 80's dream horror is Deadly Dreams, which saw the
feature debut of director Kristine Peterson, one of the most
underrated Roger Corman protegees, and a film which puts a unique
twist on the idea of dream vs. reality.
As a child, Alex Torme witnessed the
murder of his parents when Perkins, a disgruntled businessman whom
Alex's father recently put out of work slaughters the Torme's right
in front of Alex's eyes. Now in college, Alex is plagued with
reoccurring nightmares of being chased down and murdered by a shotgun
wielding man wearing hunting gear and a wolf mask, the same worn by
Perkins on the night of Alex's parents deaths. Despite reassurance
from his brother Jack, best friend Danny and new girlfriend Maggie,
that the dreams are just that, dreams, Alex fears otherwise and as
the dreams become more intense, Alex's concept of what's real and
what's not becomes more obscured as he begins to see visions of the
hunter while in a constant state of fearing for his life.
Considering its title and 1988 release,
it would be too easy to dismiss Deadly Dreams as yet another Elm
Street wannabee which is what several reviewers who either aren't too
bright or didn't bother to watch the film have done because the film is
far from a Freddy rip-off. Sold as a slasher, Deadly Dreams is a far
more psychologically ambitious film than most would give it credit
for. While there are some slasher elements to be found, they don't factor in until later in the film. For the most part, Deadly
Dreams is concerned with the horrors of the mind and explores them in
a refreshing manner. Following an distressing opening that is
somewhat reminiscent of a scene out of William Friedkin's Rampage
(1987), Peterson wastes very little time in getting inside Alex's
head and very quickly lets it be known that anything can be construed
as a dream which, as the film progresses, allows for the film to
become even more of a mind-trip when the perceptions of other
characters, not just Alex's start to become questionable. What's
pretty incredible is that despite being Peterson's first film, she
masterfully manipulates the audience when it comes to certain
character motivations with some cruel and clever twists which
wouldn't feel out of place in a giallo. The films imagery is what
really makes it stand out, with the wolf mask worn by Alex's
tormentor being rather unsettling and the hunting aspect giving way to some
unusual visuals such as a dead dear in a bathtub.
Interestingly, one year after
completing Deadly Dreams, Peterson returned to her first job as an
assistant director working as the 1st AD on A Nightmare on
Elm Street 5: The Dream Child and later was the 1st second
unit AD on Tremors (1990) before directing her own features full
time, following up Deadly Dreams with the Roger Corman backed erotic
potboiler Body Chemistry (1990) and the masterful psycho thriller
Lower Level (1992). She also happened to direct an episode of the
steamy USA television series Silk Stalkings in 1992 and
coincidentally it happened to be during the previously mentioned
Stephen Sayadian's tenure as production designer. The cast of Deadly
Dreams is also worth noting, with Maggie being played by genre vet
Juliette Cummins who had Friday the 13th: A New Beginning
(1985), Psycho III (1986) and Slumber Party Massacre II (1987) on
her resume and Xander Berkeley in the role of Jack would go on to
appear in William Freidkin's The Guardian (1990) and Candyman (1992).
Despite the eye catching cover art on the original VHS release, its
seems as if Deadly Dreams is yet another more than worthy horror
title that's fell by the wayside over the years. While it will no
doubt frustrate those who prefer their horror to be predictable and
one-note, those who appreciate films that attempt something different
should find plenty to admire about Peterson and Deadly Dreams.
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